AN Gyungsu
Painting
2024 palm tree monument
2023 Eve
2022 night of buoyancy
2022 a heap
2021 phantasmagoria
2021 suburb
2020 contrast
2019 ring ring
2018-2019 a loud night
2018 myodesopsia
2017 suburb
2016 the lay of the land
2016 membrane
2015 a single painting
2015 on the way
2014 on ground
2013 on ground
2012 barricade
2010-2011 island
Drawing
2022 a heap_painting video
2017 a single painting_video
2013 scenery
2012 scenery
2010 artificial nature
2010 scenes
2010 collection
installation works
2012 Senseless surface
2010 artificial dark
Installation Views
2024 landing point / ARARIO GALLERY SEOUL
2023 Memory_Space / ARKO Art Center
2022 The Unseen in the Seen / PIBI Gallery
2022 Eine kleine Nacht, Museum of Moscow
2021 Phantasmagoria, Offerscent, Seoul
2021 Moscow-Seoul: Common Ideas, Museum of Moscow
2021 Contrast / PIBI Gallery
2020 OGAMDO: 5 Scenes of Korean Art, Manarat Al Saadiyat Museum
2019 Great reign cometh after chaos / SeMA Nanji exhibition hall
2019 a loud night / PIBI Gallery
2018 myodesopsia / Sahngup gallery
2018 membrane / NCCA
2017 membrane / Triumph Gallery
2016 membrane / Gallery Chosun
2015 A SINGLE PAINTING, NON BERLIN, Berlin
2015 a single painting / GlogauAir, Berlin
2015 on the way / MMMG B2hall
2014 on ground / GALLERY HYUNDAI WINDOW GALLERY
2014 the breath of fresh / Gyeonggi Museum of Modern Art
2013 on ground / project space MO
2012 barricade / ccuullpool
Statement
2022 a heap
2022 light and night
2021 Phantasmagoria
2021 Suburb
2021 Fragments of Reference-text
2019 a loud night
2018 membrane
2017 the lay of the land
2015 13th November
2015 a single painting
2012 barricade in image
2010 artificial nature
2008 malformed scenery
Critiques
CV
News
contact
-
© 2010. An Gyungsu All rights reserved.
English
|
Korean
요란한 밤
밤은 각각의 풍경들의 태도가 명확하게 보이는 시간이다. 나는 그것을 풍경의 이념이 분명한 시간이라고 말한다. 눈이 부신 인공의 빛과 그 영향에서 벗어나 있는 스산한 어두움은 분명한 경계가 있고 그것에 의해서 풍경의 불안함은 증폭된다. 나에게 밤은 또하나의 가리워진 대상이다. 무언가를 불분명하게 은익하고 형체를 지워나간다. 그런데 그럴수록 그 안의 풍경들은 더더욱 명확한 각자의 이념을 드러낸다.